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Young DRO Albums


Examining the Musical Catalogue of Rapper Young Dro


Emerging from Atlanta in the mid-2000s, Young Dro quickly made a name for himself with a charismatic flow and unique melodic delivery. While not the most prolific artist, he left his mark on southern hip hop with just a handful of projects.

This article will dive into Dro’s entire musical catalogue, providing background on each album and mixtape. We’ll analyze the sound, singles, reception, and impact of each project. The goal is to give fans an in-depth look at the key releases that define Young Dro’s sporadic but influential discography.

Best Thang Smokin’ (2006)


– Released August 29, 2006 via Grand Hustle Records
– Debut studio album after signing with T.I.’s label
– First major solo project after mixtapes like “I Am Legend”

### Singles

– “Shoulder Lean” – breakout Billboard #1 smash hit
– “Rubberband Banks” – mellow charting single
– “Three Sixteens” – title references his Bankhead neighborhood


– Displays Dro’s unique melodic delivery and flow
– Mix of bass-heavy trap beats and softer R&B production
– Variety of tempos – uptempo club bangers and laidback cruising tracks


– Debuted at #3 on Billboard 200 chart
– Certified Gold for over 500,000 albums sold
– Highly acclaimed for its infectious southern flavor
– Regarded as a milestone for Grand Hustle’s indie success


– Propelled Young Dro’s career to new heights
– Made him a face of the new wave of melodic Atlanta rappers
– Showcased his ability to balance hard street anthems and radio-friendly hits
– Established Grand Hustle as a force in the rap industry

Best Thang Smokin’ was an auspicious debut that put Young Dro on the map for his addictive style and songwriting.

High Times (2009)


– Dro’s second and final studio album on Grand Hustle Records
– Arrived October 20, 2009 after a three year gap
– Follow up to his commercially successful debut


– “Take Off” – lead single featuring T.I.
– “Errrbody” – Lil Jon-produced party anthem
– “On Bail” – legal trouble-themed track


– Expands on signature southern sound established on debut
– Lead single “Take Off” driven by Space Shuttle sound effects
– Prominent features by T.I., Gucci Mane, Yung L.A. and more


– Debuted at a respectable #15 on Billboard 200
– Received mixed reviews from critics
– Failed to match the breakout success of Best Thang Smokin’


– Showed growth with more diverse production and polished songwriting
– Strong collaborations displayed Dro’s connections in Atlanta scene
– Lack of hit singles halted momentum from his smash debut
– First sign that Dro’s mainstream popularity was waning

While not a sophomore slump, High Times failed to elevate Young Dro’s star power. But it showed his potential beyond just a one-hit wonder.

Da Real Atlanta (2011)


– Dro’s third solo effort, arriving in mixtape form
– Released on August 4, 2011 via DatPiff
– First project since leaving Grand Hustle Records


– “Polo, Polo” – practical joke-themed track incorporating prank call audio
– “We Outchea” – embodied ATL club culture featuring Akon
– “Freeze Me” – fan favorite displaying storytelling skills


– Diverse mixtape blending R&B hooks, trap beats and bass
– Displayed evolution with more polished flows and thoughtful lyrics
– Beat selection tailored well to Dro’s melodic strengths
– Highlights his ear for infectious hooks and clever song concepts


– Well-received by fans eager for new Young Dro music
– Praised for lethal combination of hard tracks and radio-ready jams
– Positioned Dro to continue thriving outside the major label system


– Affirmed that Dro could succeed independently after leaving Grand Hustle
– “Freeze Me” and “Polo Polo” became cult classics within his catalog
– Quality mixtape restored some buzz after underwhelming last album
– Showed Dro’s resilience and continued relevance in Atlanta scene

Da Real Atlanta was a strong creative statement announcing Young Dro’s return. It opened a new chapter in his career post-Grand Hustle.

I Cook (2012)


– Dro’s follow-up mixtape, arriving shortly after Da Real Atlanta
– Released on November 5, 2012 again via DatPiff
– Comprised of new leftover material from previous recording sessions


– “FDB” – popular club anthem coined by Dro Rediscovered by French Montana in 2013
– “Where I’m From” – ode to repping his Bankhead roots


– Polished extension of trap beats, R&B hooks formula
– Songs alternate between introspective tracks and turn-up anthems
– Displays ear for infectious melodies and hook writing
– Overall cohesive sound thanks to just one producer – DJ Spinz

### Reception

– Considered on par with Da Real Atlanta in quality
– Praised for cocky charisma and skippable bangers
– Critiqued as perhaps too similar in sound to last mixtape


– Kept momentum going after critically acclaimed Da Real Atlanta
– Another solid project proving Dro’s talent for crafting street anthems
– “FDB” caught fire and gave Dro an unexpected hit years later
– Affirmed consistent recipe of Dro’s hypnotic hooks over bass-heavy beats

I Cook showed Young Dro’s prolific mixtape work ethic during his indie grind prime. It sustained his post-label momentum.

We Outchea (2013)


– Dro’s fourth mixtape, arriving shortly after I Cook
– Released May 14, 2013 again via popular mixtape site DatPiff
– Billed as Dro’s “last mixtape”


– “Strong” – anthemic DJ Mustard-produced lead single
– “Errrthang” – trap banger featuring Atlanta’s Migos


– Expands on signature trap-R&B fusion formula
– Experiments with DJ Mustard’s uptempo “ratchet” sound
– Features contributions from frequent collaborator Zaytoven
– Displays knack for melodies and flows on various tempo tracks


– By now, viewed as just another solid entry in Dro’s mixtape run
– Some felt the sound was growing slightly stale
– Praised select bangers but viewed as not his best project


– First collaboration with rising producer DJ Mustard
-SHOWED Dro’s ability to adapt to evolving regional styles
– Quality effort but lacked breakout moment to revive mainstream buzz
– Unfortunately failed to make good on being promoted as a farewell

We Outchea marked the end of Young Dro’s early 2010s mixtape run. While not his most impactful, it showed his ear for blending new and old sounds.

Re-Up (2022)


– Dro’s first solo project in nearly a decade
– Arrived unexpectedly as a single on September 29, 2022
– Originally intended as the lead single for his long-awaited third album


– “Re-Up” – released as a stand-alone double single with “Sake of My Kids”
– Showed Dro’s return to his melodic trap roots after an extended absence


– Familiar glossy trap production akin to his early work
– Slower tempo allowing breathier flows and autotune flourishes
– Lyrics touch on reuniting with a past love interest
– Marks a long-awaited return to solo music releases


– Well received by fans who felt Dro hadn’t lost a step
– Some criticized it as sounding dated and too similar to his old material
– Overall praised as a solid effort but not his most innovative


– Snaps a nearly decade-long solo project drought for Dro
– Proof of life that new Young Dro music exists after years of scattered features
– First taste of what will be his third studio album whenever it arrives
– Welcome return for rap fans eager to hear Dro’s melodic bars again

Re-Up showed that Young Dro’s talents are still sharp even after his extended absence from rap. It left fans hungry for more as he works on his next album.


Throughout his on-again, off-again career, Young Dro has compiled a small but potent catalog of projects. While not always prolific, he maximized his melodic flair across acclaimed albums, hot mixtapes, and surprise singles.

Hits like “Shoulder Lean” and “FDB” demonstrated his recipe for addictive southern rap anthems. Meanwhile deeper album cuts revealed his ear for song concepts and underrated storytelling ability.

Even years after his heyday, cuts like “Freeze Me” and “Errrbody” still bang through Atlanta subwoofers. After resurfacing with new solo music, Dro appears poised to continue adding to his unique hip hop legacy.

While he never achieved true mainstream superstardom, Young Dro carved out an influential lane blending hypnotic flows, honest street tales, and earworm hooks. His releases may come sporadically, but they represent key milestones in the evolution of southern rap.

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